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Dada kondke hindi movies movie#
Even though the movie was big hit the movie, its screening in Mumbai took a controversial turn when the owner of Kohinoor Theater in Dadar decided to screen Dev Anand‘s Johny Mera Naam in spite of Kondke booking the theater 4 weeks in advance. He kept his simpleton image intact in all the following movies. The movie was a big hit and made Dada’s simpleton image a huge success. Kalavati provides shelter to Dada and starts his career at Tamasha. Namya’s mother gets annoyed on knowing his visits to Tamasha and throws him out of house. He cast himself as Namya, the simpleton who falls to the glamour of Kalavati (played by Usha Chavan) who is a dancer in Tamasha. Songadya (1971): His first venture in movie production was based on a story written by Vasant Sabnis, and was directed by Govind Kulkarni. Dada movies, produced under the “Kamakshi Pictures” banner, had the same set of people, which included Usha Chavan as the lead actress, Rajesh Mujumdar as screen play writer (From Pandu Hawaldar onwards), Raam Laxman, as his music director, initially Jayawant Kulkarni and then Mahendra Kapoor as the male, and Usha Mangeshkar as the female playback singer, and Bal Mohite as the chief assistant. He used same team of actors, technicians and playback singers to repeat the formula for success that he believed he had got from his debut film. Kondke’s storylines were always based on the simpleton. He portrayed himself as very common or poor character in films he acted as “Dhobi” (Laundry Man) in Aali Angavar, Poor Farmer in Songadya, a Simple Havaldar in Pandu Havaldar, he always framed his film which suit to mentality of Marathi people and always within psychological lines of Marthi custom and tradition. He often introduces appearance of Bhagwan dada in his song in films Aali Angavar, Hyoch Navra Pahije, Bot Lavin Tithe Gudgulya, Ram Ram Gangaram most of his song are inspiring like Daulat hi teen lakhachi in his era specially female viewer are much excited to go outside of Maharashtra for honeymoon like Kashmir, Shimla where he has advocated spiritual places like Pandharpur, Jyotiba in this song. Bakricha samdyasni laglay lala in Ram Ram Gangaram.Jodi bailachi khillari for Bullock in Mala Gheun Chala and.Chalara vaghya for dog in Tumcha Amcha Jamala.Manasa paras medhra bari means goats are much better than human being in film Ekta Jeev Sadashiv.Featured songs Īs a lyricist he introduced song on animals He retained his team from Songadya and delivered his next hit Eakta Jeev Sadashiv. He kept on delivering one hit after the other.
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This was followed by a lead role in “Songadya” a block buster which turned his world around. The drama got him into spotlight and also gave him an entry into Marathi movies through a role in Bhalji Pendharkar‘s movie “Tambdi Maati”.
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The drama went on to play over 1500 shows and made him a star. Sabnis was impressed with his personality and his entitled, Vichha Majhi Puri Kara (literal translation, Fulfil my desires), which was a turning point in his life. He decided to play big and started his own drama company, and approached Sabnis to compose a drama script for him. He started working in dramas and came in contact with various drama related personalities one of who was Vasant Sabnis, a well known Marathi writer. He got involved in cultural activities of Seva Dal. He became a member of a local band which earned him the nickname “Bandwale Dada” (literal translation, “elder brother who plays for the band”). The recovery process changed him completely who decided to stay focused on the lighter side of life and make people around laugh. It was then that he lost most of his immediate family to unfortunate events. As a youngster he was a rough kid who later on took up job in a local grocery retail chain, Apna Bazaar.
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His early life was spent in chawls of Naigaon (Dadar), a Marathi heartland of Mumbai. He was a native of Ingavali in Bhor which is in Pune district of Maharashtra. This learning can be seen in his movies which targeted the masses rather than any particular social class. While working for drama he toured all over Maharashtra which helped him understand what entertainment meant to the local population. He had started his entertainment career with a band and then as a stage actor. Tamasha and stage drama’s have always played an important role in Marathi entertainment industry. Dada’s movies targeted this section of the society. This section of the society was well connected to their rural roots. These workers were mostly migrants to the city of Mumbai looking for employment in the prospering cotton mills. Kondke was a born in a mill-worker’s family in Naigaon, near Lalbaug, Mumbai.